black bloc

Mon
16
Jan

Whoever They Vote For, We Are Ungovernable: A History of Anarchist Counter-Inaugural Protest

From CrimethInc.
January 16, 2017

Thousands of protesters will stream into the streets of Washington, DC on January 20 to oppose the incoming presidency of Donald Trump. As they march, chant, unfurl their banners, and attempt to disrupt the inauguration, they step into a decades-long history of protests against the presidential spectacle.

Tue
03
May

Seattle May Day 2016 Analysis

by Sophia Burns

Seattle May Day started with an open-air punk show outside the tourist-trap mall downtown. I found a couple of comrades from RATPAC (Revolutionary Alliance of Trans People Against Capitalism) reading zines behind a Rojava solidarity group’s table. Progressively larger clusters of protesters started to appear. While I made a sign and chatted with my protest buddy about last year, we saw cops gather both on bikes and on horseback, glaring at the growing Black Bloc. Nearly every slogan I saw was explicitly anarchist, as were almost all of the organized groups; in fact, the entire time, only one person attempted to push a socialist newspaper on me. A few of the self-declared “real life superhero” vigilantes associated with Phoenix Jones hung around in spandex and body armor, carrying heavy sticks and stun guns. They’ve shown up for May Day rallies before, roughing up protesters alongside the police.

Mon
28
Sep

The Rise And Fall Of The Green Mountain Anarchist Collective

Montpelier, Vermont - Established in 2000, in a cooperative household located at the termination of a wooded dirt road in Southern Vermont, the Green Mountain Anarchist Collective (GMAC), for a time, did its part in carrying forth Vermont’s long tradition of radical, leftist politics. Founded in Windham County by Natasha Voline, Johnny Midnight, Xavier Massot, and (myself) David Van Deusen, the collective was birthed with strong Situationist, leftist, and militant inclinations. The original GMAC nucleus lived together (along with comrades Imelda R, Bridget M, and Ted K), and operated as a kind of outlaw community, connected to the broader area counter culture based in and around Brattleboro. Together, they functioned on a cash & barter basis, opening phone and utility accounts under assumed names. They adorned the walls with stolen Salvador Dali works.

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