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Wednesday, June 19 2013 @ 08:52 PM CDT

HP declares war on sharing culture

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By Ashlee Vance - The Register


CES HP this week took the unusual move of using a consumer electronics conference as the venue for an unprecedented attack on consumers and their ability to enjoy American technology and culture.

HP's CEO Carly Fiorina filled her keynote speech at CES with media piracy rhetoric, saying that consumers are undermining the economy and the morals of this nation by exchanging music. With this platform established, Fiorina went on to say HP will be the media industry's first rate lackey and do all it can to equip files with DRM (digital rights management) controls. The move by a technology company like HP to so wholly support a dying, old world empire shows how fragile the idea of an open PC has become.

"Just because we can steal music doesn't mean we should," Fiorina said. "It is illegal. It is wrong, and there are things we can do as a technology company to help.

"Starting this year, we'll strive to build every one of our consumer devices to respect digital rights."

Fiorina went on to say the company is working to have the industry's best DRM technology whether developed in-house or purchased through partners. HP has a rich heritage of research and product development into portable computer devices - CoolTown, and from Digital, the StrongARM processor and iPaq. So it ignored it all, and chose to rebadge Apple's iPod.

It's not unreasonable for companies in all relevant industries to try and make sure artists are rewarded for their creative efforts. But as the playing field now stands with current DRM technology, consumers are giving up freedoms as to how they can play and share their content. And now technology leaders such as HP are going out of their way to "help" the media industry instead of helping their own customers.

Sharing is a sham

HP made this position quite clear by inviting Jimmy Iovine, the chairman of Universal's Interscope music label, on stage to push their shared agenda. Iovine, a scrawny, middle-aged man dressed like a teenager, attacked the CES crowd for being an immoral collective of music industry killers.

"(Piracy) is hurting kids because kids are learning a disrespect for the basic relationship between creativity and ownership. It's hurting parents because they are in on the sham."

Iovine delivered this message in a stilted fashion, as he read the teleprompter with the skill of a backwoods newsman. At no time in his speech, however, did Iovine remind the audience of the record labels' long history of price-fixing their products, costing consumers hundreds of millions, according to the US government. As he worked to tell us how to raise our children, one would have hoped Iovine could bring this checkered past up, if only to provide more light on the sham.

Iovine went on to talk about a recent heart-to-heart conversation about piracy he had with rapper 50 Cent. The two were discussing a particular case in which a college student made money by selling pirated songs.

"50 Cent said "let them know who this kid is because I am going to take his lunch and take away his car,'" Iovine said.

Iovine could not have picked a better example, as 50 Cent is one of the artists who has suffered most from file-trading. Last year, his album Get Rich or Die Tryin was purchased 6.5 million times, making it the top-selling album of the year. Our heart goes out to 50 Cent.

"Why aren't politicians jumping up and down at this," asked Iovine.

It so happens politicians are keeping a close eye on the record labels' actions. They, along with the courts, are calling for the music industry to sue its customers in a more reasonable fashion.

Mute support

"This may sound personal," Iovine said. "It is personal."

How personal is it? Well, Iovine called in some favors to have Sheryl Crow, Bono's lapdog The Edge and Dr. Dre appear with Fiorina on stage to express their outrage at file-trading. Only the singers didn't say anything. They simply stood on the CES stage for five minutes and then left. It was a powerful showing.

While Iovine would have you believe he has assessed the market with objectivity, other media moguls have a different take on piracy.

"Right now the record (companies are) trying to figure out how they are going to keep themselves in cocaine and limousines and starlets and whatever else those guys do for a living," said Los Angeles radio giant Phil Hendrie during a recent broadcast. "The recording business has, as they begin to finally fall apart, as they begin to deteriorate, as their business continues to go south, show(n) themselves for the slobs that they are."

The sum total of all this is that the issue of media piracy is still up for debate, but companies such as HP are trying to decide the matter for you and are doing so with major consequences.

Fiorina talked at length about technology finally living up to its promise and opening new ways for consumers to enjoy a world rich in culture. At the same time, however, she vowed to out do all technology companies in the restrictions HP will place on those consumers sharing their culture. The company whose slogan is "Invent" is doing all it can to stifle innovation, new business models and new markets.

To emphasize this point, we take you back to 2001 when Hale Landis warned of the death of the open PC.

"The old line hard disk vendors can not survive without bending to the desires of the entertainment industry." Landis wrote. "Basically your "general purpose personal computer", aka "home computer", is history."

"So have fun fighting the battle against CPRM and alike but please do not be surprised when you fail, after all the war has been lost, long live the new world order: proprietary devices, proprietary interfaces, copy protection, limited functionality, and prepare you credit card accounts for all those monthly rental and service charges you will be paying for every "computer controller consumer electronics device" you use.
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HP declares war on sharing culture | 6 comments | Create New Account
The following comments are owned by whomever posted them. This site is not responsible for what they say.
comment by redsatyr
Authored by: Anonymous on Monday, January 12 2004 @ 12:52 PM CST
\"50 Cent said \"let them know who this kid is because I am going to take his lunch and take away his car,\'\" Iovine said.

I\'m going to take 50 Cent\'s big ass teeth...marginally talented asshole.
comment by N/A
Authored by: Anonymous on Monday, January 12 2004 @ 12:54 PM CST
For more info on this subject:

www.againsttcpa.com
comment by redsatyr
Authored by: Anonymous on Monday, January 12 2004 @ 12:57 PM CST
\"HP declares war on sharing culture\"

is that war on the culture of sharing, or the sharing of culture?
comment by rock-n-roll swindler
Authored by: Anonymous on Monday, January 12 2004 @ 01:07 PM CST
Maybe HP should quit selling CD/DVD piracy hardware, then?
It\'s almost as laughable as Sony\'s both side of the fence problems.
comment by Ktesibios
Authored by: Anonymous on Tuesday, January 13 2004 @ 01:24 AM CST
Fiorina\'s reference to their consumer products reminds me of the story of RDAT...

RDAT was originally developed as a consumer stereo digital recording format, and introduced as such in Japan.

The RIAA kept RDAT machines out of the US for a few years by threatening to sue importers.

But, recording engineers wanted a digital mixdown format that didn\'t cost as much as a decent analog 24-track machine (at the time, the only 2-track digital options were a very few, very expensive reel-to-reel machines and the Sony PCM1630- also very expensive and a pain in the ass to operate). So, the RIAA relented in the case of \"professional\" machines.

Suddenly, every RDAT manufacturer was slapping a set of +4 balanced analog I/Os on a consumer machine and selling it as a \"professional\" product. It wasn\'t long before prices were down to a point comparable to a decent semi-pro analog stereo reel-to-reel.

To this day, \"professional\" RDATs either ignore SCMS coding altogether or allow the user to set the SCMS bits it records arbitrarily; the \"professional\" digital interconnection format, AES-3, doesn\'t transmit copy control information at all.

The dire predictions of massive, commercial bootlegging due to the introduction of RDAT never materialized; the impact of RDAT was mainly to provide the \"little guys\" in the industry with an affordable digital mixdown machine.

Trying to differentiate between \"consumer\" and \"professional\" hardware just serves to set up a money barrier against creators who want quality reproduction but haven\'t a big player budget. One wonders if the same artificial divide will be implemented in the computer world.

If so, look out for \"professional\" computers that are really just mildly upgraded consumer boxes, and for the price eventually to be within reach of the serious audio amateur or basement studio.

Next time, I\'ll tell ya the story of Copycode- another badly failed attempt to stop people from taping their albums to play in their car or their Walkman...
comment by Red Laptop Revolutionary
Authored by: Anonymous on Tuesday, January 13 2004 @ 09:20 AM CST
Well it seems HP has now drawn their lines and picked their sides.

Companies who sell what the market demands will be especially successful selling devices that allow you to by-pass any digital rights management/copyright protection schemes.

Whoever decides to start up a company that makes a product similiar to an iPOD, that is integrated into a \'free-for-all\' file sharing service like SoulSeek/BitTorrent/KAzaa, and is cheaper, should do rather well.